The Spring Issue | 2025
Herewith, our (late) Spring Issue, breaking the cold in anticipation of lazy months to come. Check back daily for new poems, stories and more.
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Herewith, our (late) Spring Issue, breaking the cold in anticipation of lazy months to come. Check back daily for new poems, stories and more.
no one cared, not then, not now, still what got lost & when, on the snowy side of a street, cold buildings cold book in hand inscribed in colored pencil no myth but those imagined & those at best misunderstood
When the man in the row behind me / starts shouting that he wants off this plane, / I start thinking / how I’m not really in the mood to die today.
If our parents were here, they would already have sent us to bed. / And once again, I wouldn’t notice that it’s my younger brother
The big story is the old dog dying slowly, / half her mouth working tender bits / she is hand fed, strokes or tumor /
I dreamt kindness to animals was widespread, / Their demand on our powers greater and still greater. // If a rope broke, we released the
I know my neighbours by their walk. / Our walls are thin. A sort of string / between two cans, our stack of floors. /
You can’t say he failed to choose a path in life, failed to make the sacrifice of choosing because there was nothing for him to
I took my nails into my thighs and smiled. I looked at your hands on the steering / wheel, drumming. I willed them to swerve
Horror stares back at me surreptitiously from every corner of the flat with wide-open cats’ eyes. The reflexes I had of old have become alien
He is not our first dead tourist. We have had copter incidents, people cutting legs on ice, avalanche victims. One lady fell down a mine
How many times did I tell the children? We got this by a stroke of luck, and to luck it might return. Don’t fold it
Mom ruined her $350 wedding dress running barefoot through a cornfield. The hem gathered silky topsoil like the wind.
I got spit on while I was walking down the street, going home after a bad date with the son of a guy who wrote
For a moment, the whole pub seemed paralysed by the affront. It’s him, it’s him, he doesn’t want beer, he doesn’t want beer—the words carried
This Marinetti on his second and final trip to Russia was less like one of the early figures of punk than a bloated 70s rock
It was the great Russian thinker, Alexander Herzen, who railed against the power of abstractions, of any of the isms in our lives, to
The Cultural Revolution officially ended in 1976. Yet over thirty years later the shadow of this so-called Cultural Revolution has not disappeared. Among Chinese artists,
Hostovsky’s fondness for words and keen ear for spoken language benefit his writing: he can record and create dialogue in a brilliant and natural way. In this respect, he has more in common with short-story writers than with most contemporary poets, who tend to avoid direct speech.
W. H. Auden once said that poets should dress like businessmen. Thom Gunn preferred leather and chains.
These four poets and their recent books are representative of the poetry currently being written in Southwest England and the country more broadly.
B O D Y interviews Scott Kiernan, a New York-based artist whose video, photo and installation works interact in ways that address their own materiality and means of distribution.
Anna Hawkins is an artist who works primarily in moving image and installation with an interest in the ways that images, gestures and language are circulated and transformed online and the impacts of technology on the intimate spheres of daily life.
Weaving together disparate references spanning across histories and geographies, German interdisciplinary artist Johanna Strobel explores the entanglement between philosophy, semiotics, and actuality.
“The biggest challenge of translating Sachs into English, for me, had to do with tracking the movement of her mind in the forming of a poem.”
The Russian Civil War was a truly terrible event in terms of awful acts of atrocious violence, but there’s also a weird sense of farce about this, of history being played at the wrong speed.
Andrey Filimonov comes from Tomsk, the 400-year-old “Athens of Siberia” and center of White Russian resistance during the Russian Civil War.
© 2024 | B O D Y | bodyliterature.com
