The Spring Issue | 2025
Herewith, our (late) Spring Issue, breaking the cold in anticipation of lazy months to come. Check back daily for new poems, stories and more.
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Herewith, our (late) Spring Issue, breaking the cold in anticipation of lazy months to come. Check back daily for new poems, stories and more.
I dreamt kindness to animals was widespread, / Their demand on our powers greater and still greater. // If a rope broke, we released the herd. / If a drop of rain fell, we unveiled a flock of birds.
A dog bites down on a stick of dynamite and takes off running. They are going to explode together. Imagine: making someone feel like that, making them lose their mind like that.
Such an itch you are / man I don’t quite know // all the things you might say / if we were on your terrace / with a beer
Horror stares back at me surreptitiously from every corner of the flat with wide-open cats’ eyes. The reflexes I had of old have become alien to me. They tempt me to provoke her, but thankfully I’m still paralysed and the only way I can wind her up is by staring at her neck.
You can’t say he failed to choose a path in life, failed to make the sacrifice of choosing because there was nothing for him to choose at that time.
You say utterance is when word becomes law, is held or holds itself in the air like an accident of heaven.
And in the end we are happy only when everything pauses,
and the fullness of the world fits
into the flutter of a curtain in
You say utterance is when word becomes law, is held or holds itself in the air like an accident of heaven.
When I told my mother she has dementia, / she said that of course she’d get dementia / because her mom had Alzheimer’s but //
there is no time for tears, there never is; / no time for breathing deep. / A fit of sadness is like pulling a door
An old man has been blocking my view. / Get out! I shout. He shouts it back. // I open my mouth. He inspects my
The big one was launched at dawn. Doesn’t matter / who sent it. Soon there will be others, / enough missiles to blanket the sky.
No one knows how much the silverware drawer matters. It rattles in Leah’s mind if it’s left unorganized. She checks it often.
He didn’t recognize me, or else pretended not to see me. A neighbour who doesn’t say hello. I’m a neighbour who is see-through, perhaps completely invisible, not
My sister bought me a “Sucka Free” hoodie in the ‘80s when Yo! MTV Raps was hot. I wore that shirt till the hole under
Geoffrey pulls his hand from his pocket and withdraws the four-inch handle of a switchblade knife. Jason’s face turns ghostly. The American yells and runs
Horror stares back at me surreptitiously from every corner of the flat with wide-open cats’ eyes. The reflexes I had of old have become alien
He is not our first dead tourist. We have had copter incidents, people cutting legs on ice, avalanche victims. One lady fell down a mine
PRAGUE AND MEMORY, 2018 Editor’s Note: This is the second installment in a three-part series of a new work by American poet and
By Andrew Field In two letters written to the visual artist Loren MacIver, dating from 1949 and 1953, respectively, Elizabeth Bishop sums up, through
WHO IS A CONTEMPORARY POET? What does it mean to be a contemporary poet? It’s a trickier question than it seems, and not
B O D Y reviews new pamphlets by David Kinloch, James Appleby, and Sophie Cooke.
Hostovsky’s fondness for words and keen ear for spoken language benefit his writing: he can record and create dialogue in a brilliant and natural way. In this respect, he has more in common with short-story writers than with most contemporary poets, who tend to avoid direct speech.
W. H. Auden once said that poets should dress like businessmen. Thom Gunn preferred leather and chains.
These four poets and their recent books are representative of the poetry currently being written in Southwest England and the country more broadly.
Eight recent volumes of poetry, prose, and photography, reviewed by our editors
From her earliest work — before the idea of eco-entanglement was widely adopted by poets — Arnold viewed nature not as an ‘object’ or ‘other’ but as an inextricable (and clearly endangered) system in which humanity participates.
B O D Y interviews Scott Kiernan, a New York-based artist whose video, photo and installation works interact in ways that address their own materiality and means of distribution.
Anna Hawkins is an artist who works primarily in moving image and installation with an interest in the ways that images, gestures and language are circulated and transformed online and the impacts of technology on the intimate spheres of daily life.
Weaving together disparate references spanning across histories and geographies, German interdisciplinary artist Johanna Strobel explores the entanglement between philosophy, semiotics, and actuality.
“The biggest challenge of translating Sachs into English, for me, had to do with tracking the movement of her mind in the forming of a poem.”
The Russian Civil War was a truly terrible event in terms of awful acts of atrocious violence, but there’s also a weird sense of farce about this, of history being played at the wrong speed.
Andrey Filimonov comes from Tomsk, the 400-year-old “Athens of Siberia” and center of White Russian resistance during the Russian Civil War.
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