Joshua Burton

THE MOTHER, WHOLE

 

On our first date he said he loved me.

            Don’t say that to me.

I said.
 

I would later tell him

            Don’t touch my stomach.

You might harm it.
 

Pregnant with my first, even I

            kept from touching it

      when I could.

Because family must be earned.
 

      Each child fell from me like a dress.

I was a whole person becoming less.

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BREAK

 
1984
 

As a girl, I learned how a boy’s hands
Could hurt. As a mother, too,

Gripping his arms and legs, I bathe him
In the kitchen sink.
Small legs so thin they could almost break.

His little eyes following me like two stars
To a black hole.

Bathing him until his skin
Almost shimmers.

He reflects on me like moonlit water.
I could turn into someone else entirely, the mirror-like
Double-sided

Devil.
I could devour you.
I would hold, but never hug him.

I hold him heavy against my breast
As he drains me.

The essence of male and female.
This, almost unspeakable, ails me.

And whenever I gather up the nerve to love
I hold him so tight, as to break him.

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ASYMPTOTIC

 
1996
 

After he touches the iron, I hear his screeching from the kitchen. I run
      to him. The heat
of his hand faces me, a red palm like a warning. The six-eyed iron faces

      the both of us,
glaring from its Formica laminate island. I think at first he must have felt
power, his hand a thief

stealing away the hot sky. Did he desire
            to see how the world would react, to see how love
      would react,       to see how pain exists?

      Now his palm is turning
white, like pith peeled off skin— cocooned bruised. I slather
his hand with Land O’ Lakes Butter. I hold him rocking in an amber recliner.

      And this is how love works.
It is a period placed in the middle of sentence. A fragment.

      But his palm now tender, can only want.
And still, he extends his hand out like waiting for the rain
      to come.

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JOSHUA BURTON is a Houston native who received his B.A. from the University of Houston and is currently an MFA candidate for poetry at Syracuse University. He is a 2019 Tin House Winter Workshop Scholar. His work seeks to navigate the way historical, generational, and familial trauma crosses wires with mental and physical illness.

Note: The poems here are all from a collection about the life of the author’s mother and these poems in particular are all in the voice of his mother.

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Read more by Joshua Burton:

 
Poem in B O D Y
Poem in Figure 1