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In my village, I’m the fool. / Sad dogs know me – sad white school / of sleepy dogs that drift away /
into the distance.
I lived upon this earth in such an age / when man was so debased he sought to murder / for pleasure, not just to comply with orders
When I regained my faith in poetry, I started writing prose. Concept was my totemic operator. I amassed trophies of species on the brink of extinction and smuggled rare genera across borders to inlay my texts with them.
you gentle faces in the September light, you / gentle faces of West Germany, tired and sad, / you gentle faces, hungry for cunt, cock, / tits, hungry for an exotic everyday
I don’t want to put him on the spot / and I know I’d think less of him / if he gave the wrong answer. Instead, / I name names in my head, a long list / of friends who would have let me die.
I’m ashamed to admit I had acted under the pressure of circumstance, and the whole thing happened purely by chance. I’d much prefer to think it had all been predestined a long time ago, because inevitability is a great excuse for actions even more cruel than those I’m about to describe.
I remember a day in Houston, in the death / throes of summer, a young man nailing / a live swan to a tree in the posture / of the Christ in an argument with beauty.
I went out to my mailbox. / Everything was addressed to a previous / occupant (twice removed) / who is now, / according to my neighbors / deceased.
Each month comes the reminder / of the gash God made in me. / I like to think He made it / with one finger, the way an artist / will reach right into a painting / and finish it off.
We’d be down in the port at the Hesperia café, 8:30 in the morning. Talking about whatever. She’d be chain-smoking, and I would shred the skin of my lips with my teeth. Those nervous habits were all we had left in those days …
I was the last place on the planet / where astronauts slept / my last customers were the planet’s / last people
You have asked for / the standards // of conduct. // For an act to constitute / it must inflict / what actions / reach the threshold of / ‘choice’ that is difficult to endure.
The paint doesn’t move the way the light reflects, / so what’s there to be faithful to? I am faithful / to you, darling. I say it to the paint. The bird floats / in the unfinished sky with nothing to hold it.
A girl boarded the train. Actually, she was no longer a girl, because she was about thirty. But there was something in her behaviour and her appearance which suggested that, body aside, she was still a girl.
to stare for too long into the empty china cups of your eyes / is more dangerous than a scorpion’s caress / but you are my sister and the flag of your bra signals incest and night
I crisscross the stacks / searching for my mother / and father. The librarian / tells me they boarded / the other plane / that already took off. / This library is an airplane / I do not want to be on / but the doors are locked / and in fact / the librarian states, / we too have taken off.
Ever read The Lord of the Rings? I knew it! You look like a reader, you have that kind of face. … So alright, then, listen to my story all the way through, and you’ll catch on. You’ll understand that I couldn’t have done any different.
I am dead.
I died a nigga a long time ago.
Before you were born, before your mother was born, ‘fore your grandmother.
I was seventeen.
Still am I reckon.
WE WOULD renounce the self completely, if only we knew it would take. / We are willing enough to be nothing. We don’t want to be a residue.
EXPECTANCY He places a pillow across my lap,then let’s loose a joke about saving dignity.He wants to check my scar, and the whole teamdescends from
The bus stopped, I think, and people poured out, / baffled by their heavy hearts, / and not one of them, not one / thought of the kite.
Once I wrote a remarkable fairy tale and decided to take it to Little Trolley, a children’s gazette. I walked into the editorial office, and sitting right there on the table was the editor, thoughtfully gazing at the ceiling.
“Just think,” he was musing to himself, “how much free space that ceiling has. You could put a couch there, or a couple of armchairs, or even a television.”
I stood at the dangerous shore. / Sleeves rolled up to my shoulders. / My fringe lifted in the wind in a long salute and I pushed it back. / Live your wish, Live your wish, said the sea.
I used to be a woman who cried / over the useless bastards. / Boo-hoo, I said, filling my hanky, // boo-hoo over the useless bastards. / It is too bad we can’t see ourselves / in our own silliness …
I got home late once, tired, / and sat down by his bedside. / You must be hungry, he said. / A magnificent sentence like that, / the last I remember him saying.
The dead have their own way of doing things. Things the living don’t / understand. To the dead, the living are dead.
I know her / by the way she faces the world / straight–backed and solid, / one branch holding itself / a little higher.
At the opposite bank a barge rolls the river under itself. / We are not approaching our end, / but from ultimate emptiness / the end is hurtling towards us.
Lil’ B is the perfect example of a highly functioning retard. I’m mad he fucked my grandma, dumped her in a forest and then stole her jewelry. He’s making his bread and butter off coonery. Let that boy grandma cook.
It races, / carrying eleven meetings, / a lady’s purse, / a separation’s grief, / seven briefcases, / eight belated greetings, / and a beetle / on a jacket’s sleeve.
Go out, pretend that there are men / who would obtain you and not then // abstain, refraining from the skin / that’s split with rust
Once there lived a redheaded man without eyes and without ears. And he did not have hair, so /
they called him redheaded just so they could have something to say.
Of course, we miss somebody. We always wish somebody was here. But when somebody is not here, we have a little freedom to do as we please.
You either believe Kent Johnson exists or he doesn’t. Neither is true. In his poems, translations, conceptual acts anchored on the page, Kent Johnson is there and not there.
I always knew I would
marry a rich man.
You think I am joking.
I assure you I am not.
It’s like a shadow on your bedroom wall— / you never think it’ll reach to grab your throat / until you stand just right before the night- / light and it does—
It is nothing new under the sun that some children are afraid of school, but no one was quite so afraid of school as little Mensur Ćeman from Hilbilovi near Darkovo.
Every night I count until I fall asleep. Today I read online that every five seconds a child dies of hunger somewhere in the world. How many people die of hunger until I fall asleep? I can’t count anymore; I can’t feed the kids either.
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